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Andrzej Nowacki. Exploring the square

Andrzej Nowacki: 31-24-11-16-2016

Mediathek Sorted

Media library
  • Fig. 01: Marian Kruczek (l.) and Andrzej Nowacki - Krakow 1982
  • Fig. 02: Henryk Stażewski (l.) and Andrzej Nowacki - Warsaw 1982
  • Fig. 03: Andrzej Nowacki, Wasserfall - Relief on hardboard, acrylic, 81 x 81 cm, 1991
  • Fig. 04: Andrzej Nowacki, Versteck - Relief on hardboard, acrylic, 81 x 81 cm,  1991
  • Fig. 05: Andrzej Nowacki, Verbunden und gestrichen - Relief on hardboard, acrylic, 70 x 50 cm, 1992
  • Fig. 06: Andrzej Nowacki, Ohne Titel - Relief on hardboard, acrylic, 63 x 63 cm, 1993
  • Fig. 07: Andrzej Nowacki, Hommage à noir - Relief on hardboard, acrylic, 63 x 63 cm, 1993
  • Fig. 08: Andrzej Nowacki, Blaue Narbe - Relief on hardboard, acrylic, 81 x 81 cm, 1996
  • Fig. 09: Andrzej Nowacki, 21.10.00-1 - Relief on hardboard, acrylic, 63 x 63 cm, 2000
  • Fig. 10: Andrzej Nowacki, 09.04.01 - Relief on hardboard, acrylic, 63 x 63 cm, 2001
  • Fig. 11: Andrzej Nowacki, 13.10.02 - Relief on hardboard, acrylic, 63 x 63 cm, 2002
  • Fig. 12: Andrzej Nowacki, 09.12.10 - Relief on hardboard, acrylic, 100 x 100 cm, 2010
  • Fig. 13: Andrzej Nowacki, 18.03.11 - Relief on hardboard, acrylic, 100 x 100 cm, 2011
  • Fig. 13a: Andrzej Nowacki, 18.03.11 - Relief on hardboard, acrylic, 100 x 100 cm, 2011
  • Fig. 14: Andrzej Nowacki, 20.01.08 - Relief on hardboard, acrylic, 100 x 100 cm, 2008
  • Fig. 15: Andrzej Nowacki, 01.05.08 - Relief on hardboard, acrylic, 100 x 100 cm, 2008
  • Fig. 16: Andrzej Nowacki, 12.09.09 - Relief on hardboard, acrylic, 99 x 99 cm, 2009
  • Fig. 17: Andrzej Nowacki, 01.11.09 - Relief on hardboard, acrylic, 99 x 99 cm, 2009
  • Fig. 18: Andrzej Nowacki, 11.03.15 - Relief on hardboard, acrylic, 100 x 100 cm, 2015
  • Fig. 19: Andrzej Nowacki, 21.09.15 - Relief on hardboard, acrylic, 100 x 100 cm, 2015
  • Fig. 20: Andrzej Nowacki, 04.03.13 - Relief on hardboard, acrylic, 100 x 100 cm, 2013
  • Fig. 21: Andrzej Nowacki, 27.03.14 - Relief on hardboard, acrylic, 100 x 100 cm, 2014
  • Fig. 22: Andrzej Nowacki, 31.03.14 - Relief on hardboard, acrylic, 100 x 100 cm, 2014
  • Fig. 23: Andrzej Nowacki, 10.05.16 - Relief on hardboard, acrylic, 100 x 100 cm, 2016
  • Fig. 24: Andrzej Nowacki, 24.08.15 - Relief on hardboard, acrylic, 100 x 100 cm, 2015
  • Fig. 25: Andrzej Nowacki, 15.09.15 - Relief on hardboard, acrylic, 100 x 100 cm, 2015
  • Fig. 26: Andrzej Nowacki, 21.07.15 - Relief on hardboard, acrylic, 100 x 100 cm, 2015
  • Fig. 27: Andrzej Nowacki, 20.08.15 -  Relief on hardboard, acrylic, 100 x 100 cm, 2015
  • Fig. 28: Andrzej Nowacki, 21.06.15 - Relief on hardboard, acrylic, 64 x 64 cm, 2015
  • Fig. 29: Andrzej Nowacki, 14.06.16 - Relief on hardboard, acrylic, 9 x 64 x 64 cm, 2016
  • Fig. 30: Andrzej Nowacki, 15.01.17 - Relief on hardboard, acrylic, 4 x 100 x 100 cm, 2017
  • Fig. 31: Andrzej Nowacki, 24.11.16 - Relief on hardboard, acrylic, 9 x 64 x 64 cm, 2016
  • Fig. 32: Andrzej Nowacki, 09.10.18, Komposition mit rotem Schatten - Relief on hardboard, acrylic, 4 x 64 x 64 cm, 2018
  • Fig. 33: Andrzej Nowacki, 18.11.15, Komposition mit Schwarz & 04.12.15, Komposition mit B. - Both: relief on hardboard, acrylic, 100 x 100 cm, 2015
  • Fig. 34: Andrzej Nowacki, 26.03.98 - Coal on paper, 36 x 36 cm, 1998
  • Fig. 35: Andrzej Nowacki, 26.03.98-2 - Graphite, pastel on paper, 36 x 36 cm, 1998
  • Fig. 36: Andrzej Nowacki, 03-11-16-3 - Pastel, charcoal on paper, 23 x23 cm, 2016
  • Fig. 37: Andrzej Nowacki, 03-11-16-5 - Pastel, charcoal on paper, 23 x 23 cm, 2016
  • Fig. 38: Andrzej Nowacki, 03-11-16-10 - Pastel, charcoal on paper, 23 x 23 cm, 2016
  • Fig. 39: Andrzej Nowacki, 03-11-16-15 - Pastel, charcoal on paper, 23 x 23 cm, 2016
  • Fig. 40: Andrzej Nowacki, 03-11-16-22 - Pastel, charcoal on paper, 23 x 23 cm, 2016
  • Fig. 41: Andrzej Nowacki, 03-11-16-23 - Pastel, charcoal on paper, 23 x 23 cm, 2016
  • Fig. 42: Bożena Kowalska (l.) and Andrzej Nowacki - 1996
  • Fig. 43: Horst Bartnig, Heinz Teufel, Andrzej Nowacki (from left) - End of the 1990s
  • Fig. Horst Bartnig, Manfred Mohr, Andrzej Nowacki (from left) - Beginning of the 2000s
  • Fig. 45: Rudolf Valenta, Milan Dobeš, Horst Bartnig, Andrzej Nowacki (from left) - Berlin 2011
  • Fig. 46: Andrzej Nowacki (l.) and Jan Lenica - Berlin 1996
  • Fig. 47: Jan Svetlik (l.) and Andrzej Nowacki - Ostrava 2017
  • Fig. 48: Opening of exhibition in Sopot - Hubertus Gaßner, Małgorzata Szot-Emus, Andrzej Nowacki, Zbigniew Buski (from left), 23.4.2017
  • Fig. 49: exhibition "On the threshold of infinity" - State Art Gallery Sopot, 2017
  • Fig. 50:  exhibition "On the threshold of infinity" - State Art Gallery Sopot, 2017
  • Fig. 51:  exhibition "On the threshold of infinity" - State Art Gallery Sopot, 2017
  • Fig. 52: exhibition "On the threshold of infinity" - State Art Gallery Sopot, 2017
  • Fig. Andrzej Nowacki in his studio - Berlin, 2018
Andrzej Nowacki: 31-24-11-16-2016
Andrzej Nowacki: 31-24-11-16-2016

Room 5: Square on paper
 

As well as the reliefs, since the late 1990s, Andrzej Nowacki has also devoted his work to one particular way of recording the moment. He produced extensive cycles of works (ranging from a dozen to countless numbers of sheets) in pastel and charcoal on paper, which he completed in the space of just a few hours. They record an unusual flow of energy, with the artist acting as a kind of intermediary. These paper squares add depth to another area of creativity. The colourfulness of the lined surface that is so characteristic of the reliefs is lacking; it is replaced by an unexpected plasticity of the paper. The careful lines of the relief disappear, yet the fragile quads do not lose their recognisable identity; they remain, like the theme of a complex improvisation, which returns in many different and yet recognisable variations. The artist’s infallible intuition sets flawless accents and contrasts in black, white and red.

Here, too, the passionate exploration of the material can be felt, which the artist exploits, in which he exists and expresses himself. It is also the passion for reaching the boundaries of his own power of expression, which is released in a spontaneous act of creation, more directly than in the reliefs. These small works reflect an intractable process of recognition that goes beyond the intellectual, which begins anew time and again at the place where the image surface and the drawing hand meet. All this within the existing square, which on the one hand marks out the boundaries of the experiment, while on the other ordering, realising and revealing the unlimited possibilities of search and discovery. (Figs. 34–41)