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Poles in Germany. Roads to visibility

Magdalena Abakanowicz, Bambini, 1998. Ausstellungsansicht in der St. Elisabeth-Kirche, Berlin, Gallery Weekend 2015, Galerie ŻAK | BRANICKA, Berlin

Mediathek Sorted

Media library
  • Portrait in the Chapel of St John in Cologne Cathedral - At the tomb of Queen Richeza
  • Bavarian-Polish alliance coat of arms on St George's Gate from 1494 - The coats-of-arms of Hedwig Jagiellonica and Georg the Rich of Bavaria-Landshut in the castle at Burghausen.
  • A stained glass painting in the Landshut town hall. - Window in the main staircase, 1880. They depict George the Rich and Hedwig of Poland.
  • Philips Galle (1537-1612): Joannes Alasco, 1567. Copperplate engraving, 17.7 x 12.5 cm, from a series of 36 copperplate engravings entitled “Virorum doctorum de disciplines benemerenium effigies” - Born into the family of a Polish magnate in 1499, Jan Łaski, whose Latin name is Johannes a Lasco, is predestined for a prominent political and theological career.
  • Count Athanasius Raczyński - Painting of Carl Wilhelm Wach, 1826
  • The Raczynski Palace  - At Königsplatz in Berlin, ca. 1875
  • Welcome to the Poles in Leipzig in 1830 - Guillaume Thierry, lithograph based on a drawing by Charles Malankiewicz, 39.8 x 48.7 cm, 1830/31
  • Transit routes - Transit routes taken by Polish fighters in the November uprising and the German organisations providing help to Poland 1831 – 1833 (overview). H. Asmus, 1981
  • The Most Memorable Days in the Year 1830, a memorial tablet in 12 tableaux - Verlag Johann Andreas Endter, Nürnberg, 1830, engraving, coloured, 30.3 x 43.5 cm
  • Anniversary stamp "175 years of the Hambach Festival" - Deutsche Post special-issue stamp 2007
  • Ludwik Mierosławski (1814–1878) - Polish revolutionary. Leader in the Polish uprisings of 1830, 1846 and 1864, photograph taken around 1850.
  • Portrait of Kraszewski around the year 1879 -
  • Photo of the building - 2010
  • ‘Chopin plays in the salon of Prince Anton Radziwill in Berlin’ - A painting by Henryk Siemiradzki (1843–1902), circa 1880, Saint Petersburg, State Russian Museum
  • Wiarus Polski, Bochum - Issue dated 3 July 1907
  • Sachsengänger - Upon arrival in Berlin, 1909
  • Cover page of the first edition of “Narodowiec” - Herne, 2 October 1909, in: “Polak w Niemczech”, Bochum 1972, p. 44.
  • Carl Teufel: Alfred Wierusz-Kowalski's artist studio - Munich 1889. Black-and-white photograph from glass negative, 18 x 24 cm
  • Kaiser Wilhelm II and Adolf v. Menzel in the atelier of the painter Adalbert von Kossak. - In: Berliner Leben. Zeitschrift für Schönheit und Kunst, Berlin 1899, p. 41.
  • Speaking at the International Socialist Congress in Stuttgart - Rosa Luxemburg, August 1907.
  • Helena and Stanisław Sierakowski, wedding photograph, 1910 - Stanisław Sierakowski – the first chairman of the Union of Poles in Germany ‘Rodło’
  • Wedding telegram from the Breslau Polonia, 1913 - With two men in Polish national costumes and a cartouche with a white eagle, colour print
  • Study record Albert-Ludwigs-University of Freiburg - With contributions by Edmund Husserl, 1916
  • „Pola Negri - unsterblich“ [‘Pola Negri - immortal’] - A film documentary about the life and work of one of Germany's greatest silent film stars of Polish origin. (German)

    „Pola Negri - unsterblich“ [‘Pola Negri - immortal’]

    A film documentary about the life and work of one of Germany's greatest silent film stars of Polish origin. (German)
  • ‘Three Days in November: Józef Piłsudski and Polish Independence in 1918’ - A film about a Polish myth, made under the direction of Krzysztof Ruchniewicz and Jochen Böhler, produced by Porta Polonica and LWL. In German, undated.

    ‘Three Days in November: Józef Piłsudski and Polish Independence in 1918’

    A film about a Polish myth, made under the direction of Krzysztof Ruchniewicz and Jochen Böhler, produced by Porta Polonica and LWL. In German, undated.
  • The house in the Magdeburg Fortress where Józef Piłsudski was interned -
  • View of the “Red Salon” and the winter garden of the building - Radziwill Palais, ca. 1927
  • Religious ceremony ‘Faith of Our Fathers’ in Herne, 1930 - Delegations from Polish organisations leave the Catholic Church carrying banners. A group of flower girls can be seen at the front.
  • Advertising poster for the film ‘I Love All Women’ (1935) - Starring Jan Kiepura in the lead role
  • Dziennik Berlińskim, 10 November 1937 edition - With the cover story about the opening of the Polish secondary school in Marienwerder (Polish: Kwidzyń) in East Prussia.
  • Parents with children, Herne 1936 - From left to right at the back: Luzie (later Ikemann), Irene, Władysława (née Hałas), Johann, Marian; from left to right in the front: Alfons and Josef
  • Polish forced labourer from the Schweers farm (Borken district) delivering milk, approx. 1943 - Ignaz Böckenhoff Collection: The village of Raesfeld in the 1930s to 1960s
  • Polish fashion magazine ‘Moda’ in Niederlangen (Emsland), 1945 - Shortly after the liberation of the former prisoner-of-war camp for the participants of the Warsaw Uprising, the magazine's cover announced a new fashion collection (partly made from uniforms) for the summer of 1945.
  • Wilhelmshaven, May 1945 - Soldier of General Stanisław Maczek's Polish 1st Armoured Division in the barracks courtyard
  • Józef Szajna in Maczków, 1946 - Today Haren on the Ems
  • A stained glass window from the cemetery chapel built by Polish displaced persons in 1946–47, 1947 - On the grounds of the former Flossenbürg concentration camp (detail) based on a design by Władysław Płoskoń
  • The film producer Artur ‘Atze’ Brauner - The photo was taken on 25th January 2002 in Leipzig when he was there for the mdr talkshow "Riverboat".
  • Artur Brauner - Ein Jahrhundertleben zwischen Polen und Deutschland - Artur Brauner - A century of life between Poland and Germany. A film documentary about the legendary personality of German and international film. (German)

    Artur Brauner - Ein Jahrhundertleben zwischen Polen und Deutschland

    Artur Brauner - A century of life between Poland and Germany. A film documentary about the legendary personality of German and international film. (German)
  • Tadeusz Nowakowski - Profile image, ca. 1950
  • Teresa Nowakowski (101) talking to her son Krzysztof - London 2019 (in Polish)

    Teresa Nowakowski (101) talking to her son Krzysztof

    London 2019 (in Polish)
  • Corpus Christi in the settlement for Polish displaced persons in Dortmund Eving, 1951 - An altar made by the Polish DP family Sokołowski for the Corpus Christi procession
  • Stefan Arczyński (right) with a friend in Moscow, 1956 - Photographer unknown
  • Mieczysław Wejman, ‘Sleep is the brother of death’ - A fresco by a professor at the Krakow Academy of Fine Arts (fragment) commemorating 428 Polish children and 116 adults who died in the Wildflecken DP camp between 1945 and 1948, Wildflecken cemetery chapel, 1971
  • Marcel Reich-Ranicki in the ZDF studio - Programme title: Due to the occasion - Marcel Reich-Ranicki talks to Thomas Gottschalk, 17.10.2008
  • Karol Broniatowski's memorial to the deported Jews of Berlin - Film by Liu Ke, 2011

    Karol Broniatowski's memorial to the deported Jews of Berlin

    Film by Liu Ke, 2011
  • Historical association flags of the Union of Poles in Germany - Photo from St Anne's Church of the Polish Catholic Mission in Dortmund. The flags are part of the Porta Polonica collection
  • Film ‘The Madman and the Nun’ - St. Ignacy Witkiewicz, Transform Film Studio - Directed by Janina Szarek, 2005

    Film ‘The Madman and the Nun’ - St. Ignacy Witkiewicz, Transform Film Studio

    Directed by Janina Szarek, 2005
  • WORMHOLE, 2008 - A video installation in a public space. Steel construction, glass, video, monitor, DVD player. Ø = 100 cm, H = 110 cm. Copyright: Karina Smigla-Bobinski.

    WORMHOLE, 2008

    A video installation in a public space. Steel construction, glass, video, monitor, DVD player. Ø = 100 cm, H = 110 cm. Copyright: Karina Smigla-Bobinski.
  • Andrzej Wirth in his apartment in Berlin - Photograph taken on his 90th birthday, 2017
  • Interview with Leszek Zadlo - German only

    Interview with Leszek Zadlo

    German only
  • “Cologne, Hohenzollern bridge” - From the series “Urban Spaces”, Inkjet photo print, 85 x 240 cm.
  • ZEITFLUG - Hamburg - From ‘Urban Spaces’, 2008, video: 12:00 min. Stefan Szczygieł. Courtesy: Claus Friede*Contemporary Art

    ZEITFLUG - Hamburg

    From ‘Urban Spaces’, 2008, video: 12:00 min. Stefan Szczygieł. Courtesy: Claus Friede*Contemporary Art
  • On the double bass 2. - 2016
  • ill. 17b: Empty Images, 2000/2006 - Bild (Berlin), 12th January 2006.
  • Monika Czosnowska: Johanna - 2004, C-print, 78 x 66 cm, Marta Herford Collection
  • Polonia Dortmund - Robert Lewandowski, Łukasz Piszczek and Jakub Błaszczykowski from Borussia Dortmund – Champion of Bundesliga 2012
  • ‘In blue’ - 2015, Watercolour, felt-tip pen on paper, 100 x 150 cm.
  • Katarzyna Myćka at her instrument - Photo during the concert 2015
  • The Planet by Susanna Fels - An art film by Susanna Fels with photographs by Annette Hudemann, among others, in German, 2019

    The Planet by Susanna Fels

    An art film by Susanna Fels with photographs by Annette Hudemann, among others, in German, 2019
  • Agata Madejska, RISE, 2018 - Installation view: Impuls Bauhaus, Zeche Zollverein, Essen, 2019
Magdalena Abakanowicz, Bambini, 1998
Magdalena Abakanowicz, Bambini, 1998. Ausstellungsansicht in der St. Elisabeth-Kirche, Berlin, Gallery Weekend 2015, Galerie ŻAK | BRANICKA, Berlin

Migratory borders
 

The situation changed with the three partitions of Poland between 1772 and 1795 because now the borders were moving and not the people. Around 1800, about 2.5 million Polish-speaking people were living in Prussia which stretched all the way to Warsaw. After the Napoleonic wars, the borders were redrawn at the Congress of Vienna, but large old Polish regions still belonged to Prussia. Before the First World War, between 2.5 and 4.5 million Polish-speaking people are thought to have lived in the Empire – it is not known exactly because the statistics are unreliable and many Poles renounced their mother tongue during censuses for fear of discrimination. The Polish settlement centres were West Prussia/Pomerelia, the Province of Poznań/Greater Poland, southern East Prussia and Upper Silesia. Whilst Protestant Masurians succumbed to advancing assimilation, which even before the Second World War was far from complete, Greater Poland in particular developed as a cultural and economic centre of the Polish minority who untiringly pursued cultural autonomy and their own state.

The Pole’s love of freedom was contagious: In 1832, when several thousand Polish officers moved through the German lands to exile in France after they had lost the uprising against Russia, they were greeted along the way by the citizens of German towns cheering them along. And at the Hambach Festival in 1832, their fight against restoration and autocracy was a wake-up call for liberal Europe. Until 1848, when the freedom fighter Ludwik Mierosławski was freed from jail in Berlin-Moabit at the beginning of the March Revolution, the enthusiasm for Poland continued until it came to a debate in the Paul’s Church Parliament in Frankfurt: Shouldn’t a democratic Germany be prepared to return the Polish provinces of Prussia to a free Poland? But how quickly opinions changed: The prospect of the creation of a German national state left the Poles in the German lands as representatives of what appeared to be an increasingly dangerous irredenta. Attempts made by the Prussian government to combat the “Polish danger” as it was increasingly seen, led to numerous confrontations and to the growing discrimination of the Polish section of the population.