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Poles in Germany. Roads to visibility

Magdalena Abakanowicz, Bambini, 1998. Ausstellungsansicht in der St. Elisabeth-Kirche, Berlin, Gallery Weekend 2015, Galerie ŻAK | BRANICKA, Berlin

Mediathek Sorted

Media library
  • Portrait in the Chapel of St John in Cologne Cathedral - At the tomb of Queen Richeza
  • Bavarian-Polish alliance coat of arms on St George's Gate from 1494 - The coats-of-arms of Hedwig Jagiellonica and Georg the Rich of Bavaria-Landshut in the castle at Burghausen.
  • A stained glass painting in the Landshut town hall. - Window in the main staircase, 1880. They depict George the Rich and Hedwig of Poland.
  • Philips Galle (1537-1612): Joannes Alasco, 1567. Copperplate engraving, 17.7 x 12.5 cm, from a series of 36 copperplate engravings entitled “Virorum doctorum de disciplines benemerenium effigies” - Born into the family of a Polish magnate in 1499, Jan Łaski, whose Latin name is Johannes a Lasco, is predestined for a prominent political and theological career.
  • Count Athanasius Raczyński - Painting of Carl Wilhelm Wach, 1826
  • The Raczynski Palace  - At Königsplatz in Berlin, ca. 1875
  • Welcome to the Poles in Leipzig in 1830 - Guillaume Thierry, lithograph based on a drawing by Charles Malankiewicz, 39.8 x 48.7 cm, 1830/31
  • Transit routes - Transit routes taken by Polish fighters in the November uprising and the German organisations providing help to Poland 1831 – 1833 (overview). H. Asmus, 1981
  • The Most Memorable Days in the Year 1830, a memorial tablet in 12 tableaux - Verlag Johann Andreas Endter, Nürnberg, 1830, engraving, coloured, 30.3 x 43.5 cm
  • Anniversary stamp "175 years of the Hambach Festival" - Deutsche Post special-issue stamp 2007
  • Ludwik Mierosławski (1814–1878) - Polish revolutionary. Leader in the Polish uprisings of 1830, 1846 and 1864, photograph taken around 1850.
  • Portrait of Kraszewski around the year 1879 -
  • Photo of the building - 2010
  • ‘Chopin plays in the salon of Prince Anton Radziwill in Berlin’ - A painting by Henryk Siemiradzki (1843–1902), circa 1880, Saint Petersburg, State Russian Museum
  • Wiarus Polski, Bochum - Issue dated 3 July 1907
  • Sachsengänger - Upon arrival in Berlin, 1909
  • Cover page of the first edition of “Narodowiec” - Herne, 2 October 1909, in: “Polak w Niemczech”, Bochum 1972, p. 44.
  • Carl Teufel: Alfred Wierusz-Kowalski's artist studio - Munich 1889. Black-and-white photograph from glass negative, 18 x 24 cm
  • Kaiser Wilhelm II and Adolf v. Menzel in the atelier of the painter Adalbert von Kossak. - In: Berliner Leben. Zeitschrift für Schönheit und Kunst, Berlin 1899, p. 41.
  • Speaking at the International Socialist Congress in Stuttgart - Rosa Luxemburg, August 1907.
  • Helena and Stanisław Sierakowski, wedding photograph, 1910 - Stanisław Sierakowski – the first chairman of the Union of Poles in Germany ‘Rodło’
  • Wedding telegram from the Breslau Polonia, 1913 - With two men in Polish national costumes and a cartouche with a white eagle, colour print
  • Study record Albert-Ludwigs-University of Freiburg - With contributions by Edmund Husserl, 1916
  • „Pola Negri - unsterblich“ [‘Pola Negri - immortal’] - A film documentary about the life and work of one of Germany's greatest silent film stars of Polish origin. (German)

    „Pola Negri - unsterblich“ [‘Pola Negri - immortal’]

    A film documentary about the life and work of one of Germany's greatest silent film stars of Polish origin. (German)
  • ‘Three Days in November: Józef Piłsudski and Polish Independence in 1918’ - A film about a Polish myth, made under the direction of Krzysztof Ruchniewicz and Jochen Böhler, produced by Porta Polonica and LWL. In German, undated.

    ‘Three Days in November: Józef Piłsudski and Polish Independence in 1918’

    A film about a Polish myth, made under the direction of Krzysztof Ruchniewicz and Jochen Böhler, produced by Porta Polonica and LWL. In German, undated.
  • The house in the Magdeburg Fortress where Józef Piłsudski was interned -
  • View of the “Red Salon” and the winter garden of the building - Radziwill Palais, ca. 1927
  • Religious ceremony ‘Faith of Our Fathers’ in Herne, 1930 - Delegations from Polish organisations leave the Catholic Church carrying banners. A group of flower girls can be seen at the front.
  • Advertising poster for the film ‘I Love All Women’ (1935) - Starring Jan Kiepura in the lead role
  • Dziennik Berlińskim, 10 November 1937 edition - With the cover story about the opening of the Polish secondary school in Marienwerder (Polish: Kwidzyń) in East Prussia.
  • Parents with children, Herne 1936 - From left to right at the back: Luzie (later Ikemann), Irene, Władysława (née Hałas), Johann, Marian; from left to right in the front: Alfons and Josef
  • Polish forced labourer from the Schweers farm (Borken district) delivering milk, approx. 1943 - Ignaz Böckenhoff Collection: The village of Raesfeld in the 1930s to 1960s
  • Polish fashion magazine ‘Moda’ in Niederlangen (Emsland), 1945 - Shortly after the liberation of the former prisoner-of-war camp for the participants of the Warsaw Uprising, the magazine's cover announced a new fashion collection (partly made from uniforms) for the summer of 1945.
  • Wilhelmshaven, May 1945 - Soldier of General Stanisław Maczek's Polish 1st Armoured Division in the barracks courtyard
  • Józef Szajna in Maczków, 1946 - Today Haren on the Ems
  • A stained glass window from the cemetery chapel built by Polish displaced persons in 1946–47, 1947 - On the grounds of the former Flossenbürg concentration camp (detail) based on a design by Władysław Płoskoń
  • The film producer Artur ‘Atze’ Brauner - The photo was taken on 25th January 2002 in Leipzig when he was there for the mdr talkshow "Riverboat".
  • Artur Brauner - Ein Jahrhundertleben zwischen Polen und Deutschland - Artur Brauner - A century of life between Poland and Germany. A film documentary about the legendary personality of German and international film. (German)

    Artur Brauner - Ein Jahrhundertleben zwischen Polen und Deutschland

    Artur Brauner - A century of life between Poland and Germany. A film documentary about the legendary personality of German and international film. (German)
  • Tadeusz Nowakowski - Profile image, ca. 1950
  • Teresa Nowakowski (101) talking to her son Krzysztof - London 2019 (in Polish)

    Teresa Nowakowski (101) talking to her son Krzysztof

    London 2019 (in Polish)
  • Corpus Christi in the settlement for Polish displaced persons in Dortmund Eving, 1951 - An altar made by the Polish DP family Sokołowski for the Corpus Christi procession
  • Stefan Arczyński (right) with a friend in Moscow, 1956 - Photographer unknown
  • Mieczysław Wejman, ‘Sleep is the brother of death’ - A fresco by a professor at the Krakow Academy of Fine Arts (fragment) commemorating 428 Polish children and 116 adults who died in the Wildflecken DP camp between 1945 and 1948, Wildflecken cemetery chapel, 1971
  • Marcel Reich-Ranicki in the ZDF studio - Programme title: Due to the occasion - Marcel Reich-Ranicki talks to Thomas Gottschalk, 17.10.2008
  • Karol Broniatowski's memorial to the deported Jews of Berlin - Film by Liu Ke, 2011

    Karol Broniatowski's memorial to the deported Jews of Berlin

    Film by Liu Ke, 2011
  • Historical association flags of the Union of Poles in Germany - Photo from St Anne's Church of the Polish Catholic Mission in Dortmund. The flags are part of the Porta Polonica collection
  • Film ‘The Madman and the Nun’ - St. Ignacy Witkiewicz, Transform Film Studio - Directed by Janina Szarek, 2005

    Film ‘The Madman and the Nun’ - St. Ignacy Witkiewicz, Transform Film Studio

    Directed by Janina Szarek, 2005
  • WORMHOLE, 2008 - A video installation in a public space. Steel construction, glass, video, monitor, DVD player. Ø = 100 cm, H = 110 cm. Copyright: Karina Smigla-Bobinski.

    WORMHOLE, 2008

    A video installation in a public space. Steel construction, glass, video, monitor, DVD player. Ø = 100 cm, H = 110 cm. Copyright: Karina Smigla-Bobinski.
  • Andrzej Wirth in his apartment in Berlin - Photograph taken on his 90th birthday, 2017
  • Interview with Leszek Zadlo - German only

    Interview with Leszek Zadlo

    German only
  • “Cologne, Hohenzollern bridge” - From the series “Urban Spaces”, Inkjet photo print, 85 x 240 cm.
  • ZEITFLUG - Hamburg - From ‘Urban Spaces’, 2008, video: 12:00 min. Stefan Szczygieł. Courtesy: Claus Friede*Contemporary Art

    ZEITFLUG - Hamburg

    From ‘Urban Spaces’, 2008, video: 12:00 min. Stefan Szczygieł. Courtesy: Claus Friede*Contemporary Art
  • On the double bass 2. - 2016
  • ill. 17b: Empty Images, 2000/2006 - Bild (Berlin), 12th January 2006.
  • Monika Czosnowska: Johanna - 2004, C-print, 78 x 66 cm, Marta Herford Collection
  • Polonia Dortmund - Robert Lewandowski, Łukasz Piszczek and Jakub Błaszczykowski from Borussia Dortmund – Champion of Bundesliga 2012
  • ‘In blue’ - 2015, Watercolour, felt-tip pen on paper, 100 x 150 cm.
  • Katarzyna Myćka at her instrument - Photo during the concert 2015
  • The Planet by Susanna Fels - An art film by Susanna Fels with photographs by Annette Hudemann, among others, in German, 2019

    The Planet by Susanna Fels

    An art film by Susanna Fels with photographs by Annette Hudemann, among others, in German, 2019
  • Agata Madejska, RISE, 2018 - Installation view: Impuls Bauhaus, Zeche Zollverein, Essen, 2019
Magdalena Abakanowicz, Bambini, 1998
Magdalena Abakanowicz, Bambini, 1998. Ausstellungsansicht in der St. Elisabeth-Kirche, Berlin, Gallery Weekend 2015, Galerie ŻAK | BRANICKA, Berlin

Forced migration: The period of the world wars
 

Whilst, to this point, Poles had migrated voluntarily or had felt compelled to migrate at most out of economic necessity, the First World War was a turning point: By the end of the war, more than half a million Poles living abroad were recruited for the economy in the Empire, increasingly through coercion as well. Sometimes they also fled from the events of war or, as was the case with Polish Jews, for fear of anti-semitic riots. Directly after the war, there were around 3,500 “East European Jews” in Frankfurt am Main, who for the most part stayed here initially, as was the case in other parts of Germany. Often, however, their mother tongue was not Polish but Yiddish; some spoke German or Russian better.

As a result of new borders being drawn in the wake of the Treaty of Versailles and some referenda that followed, Germany lost a large part of the Polish settlement areas in the East. At the same time, because some of the Polish economic migrants from the Ruhr area and from other places were migrating back to an independent Poland or were looking for work in other countries, the number of Polish-speaking residents fell quickly. In the 1920s, there must have been around 1.5 million Polish-speaking people and this number continued to fall until 1939, particularly as a result of the gradual assimilation to the German majority of the population, which was later enforced by the Third Reich. There were now hardly any centres of Polish life left in Germany; but Berlin, Westphalia and western Upper Silesia still had a considerable group of people who were prepared to stand up for Polish issues. Generally speaking, because of the poisonous atmosphere between Germany and Poland, many Poles preferred to make themselves “invisible” and not stand out in German society. The “Union of Poles in Germany”, which was founded in 1922, was unable to stop this development. Incidentally, Poles only had minority status in the part of Upper Silesia that had remained German, and they only had that until 1937.

Poles living in the Empire had several press bodies which, however, suffered considerable financial difficulties. For this reason, “Wiarus Polski”, which had been published in Bochum since 1890, moved its head office to the industrial region of northern France which had a large-scale Polish migration, and “Narodowiec”, which had been published in Herne since 1909, followed in 1924. This meant that the only daily newspaper remaining was the “Dziennik Berliński”, which was founded in Berlin in 1897 and which existed with the support of the “Union of Poles” until war broke out in 1939.

But Poles did not disappear from public life in Germany completely: The film stars Pola Negri and Jan Kiepura enjoyed great success. And Polish Jews also played an important role in music culture and in the entertainment industry, like the band leader Marek Weber. And if you search a little further, you come across a large number of virtually forgotten traces of people. Such as the Bauhaus student Jesekiel David Kirszenbaum or the photographer Stefan Arczyński.

However, this German-Polish-Jewish symbiosis was destroyed by the Nazis: At the end of October 1938, they deported all Polish citizens of Jewish origin to Poland; around 17,000 people were thrown out of their houses overnight. This was a “prelude to the extermination” which was to start soon after.

The Second World War turned Europe on its head. The senior-level representatives of Poland that lived in the Empire were persecuted and some were murdered in concentration camps. A large proportion of conquered Poland was joined to the Empire, the Polish people – Jews and non-Jews – were persecuted, enslaved, expelled and exterminated. Depending on the region, many Poles were forced to sign the “German People’s List”, many young men were then conscripted to the Wehrmacht. Polish officers who were prisoners of war spent the war in camps, simple soldiers were used as forced labour. Around 2.8 million Poles worked for varying lengths of time as forced labourers in industry or agriculture, sometimes under inhuman conditions. Hundreds of thousands were taken to the concentration camps; Jewish Poles were often taken directly to the extermination camps.