On the trail of art after the horrors of Auschwitz. Dispatches from a study trip.

The picture cycle vertically aligned in the visitor foyer of the Reichstag building, Berlin 2019
The picture cycle vertically aligned in the visitor foyer of the Reichstag building, Berlin 2019

Station 3: Kraków or Epilogue

After a few varied, informative but also exhausting days, the group’s journey ended just one hour away in Kraków, the former royal city. The old town with its tourists seems hundreds of light years removed from the Auschwitz-Birkenau State Museum. But even in this town with its glorious past, traces of the persecution of Jews, of the horrors of the Holocaust and of the artistic handling of it can be found in any number of places. One last highlight was the meeting with the Auschwitz survivor Lidia Maksymowicz, who was one of the children abused by Josef Mengele under the pretext of medicine. With a gentle smile, Lidia Maksymowicz faced the tense – and reverent – group who met up with her in the Żydowskie Muzeum Galicja (Jewish Museum of Galicia). As she gave her account, you could tell that she is practised in telling her story. The story of a girl who, as far as historical studies show, survived Auschwitz the longest. A girl who, after the camp was liberated on 27 January 1945, grows up with a family in the town and only years later is reunited with her birth mother, who was living in the former Soviet Union. But contrary to our expectations, it wasn’t these parts of the story, in which Lidia Maksymowicz told about Mengele or horror figures such as Amon Göth[12], that were emotionally moving; instead it was the everyday moments that we take for granted, such as how it was to wake up for the first time in years alone in a warm bed. And it was statements such as this, that brought tears to the eyes of the people in the room.

Witnesses of the time are living testimony to past events. But they are also gradually disappearing. What remains? 

The real question is: How can we take action to stop us forgetting? The educational trip organised by IBB and Porta Polonica showed one thing at least: Discussing and contemplating art is perhaps a good start in providing answers to this burning question.

Andrea Lorenz, January 2020

 

[12] Amon Leopold Göth (1908-1946) was an SS Commander in the forced labour camp of Kraków-Płaszów. For more on Göth and the forced labour camp, see Wolfgang Curilla: Der Judenmord in Polen und die deutsche Ordnungspolizei 1939-1945, Paderborn 2011, p. 379f.

Media library
  • The Reichstag building

    The Reichstag building in Berlin was the first stop on the study tour of the IBB and Porta Polonica, 2019.
  • The photographic templates for Gerhard Richter’s monumental work "Birkenau"

    The four photographic models for Gerhard Richter´s monumental picture cycle "Birkenau" are also presented in the visitor foyer of the Bundestag, but in a different corridor than the picture cycle. Ber...
  • H.D. Buchloh´s book “Gerhard Richters Birkenau-Gemälde”

    Parallel to the official opening of the exhibition of the picture cycle, the art historian Benjamin H.D. Buchloh published his book "Gerhard Richter's Birkenau-Gemälde", 2019.
  • Start of the seminar with Dr. Jacek Barski

    Dr. Jacek Barski, director of Porta Polonica, gives an introduction to the artist Gerhard Richter and his work "Birkenau", Berlin 2019.
  • In conversation with the participants

    Bartholomäus Fujak, pedagogical assistant of the IBB, in conversation with the participants of the study trip, Berlin 2019.
  • From the series of paintings entitled “Birkenau”

    One of the four large-format paintings of the cycle "Birkenau", Berlin 2019.
  • The picture cycle vertically aligned in the visitor foyer of the Reichstag building

    The picture cycle vertically aligned in the visitor foyer of the Reichstag building, Berlin 2019.
  • Participants of the study trip 

    Participants of the study trip in front of the historical photographs that served Gerhard Richter as a model for his "Birkenau" cycle, Berlin 2019.
  • The dome of the Reichstag building

    Visitors in the dome of the Reichstag building, Berlin 2019.
  • At the Jewish Center in Oświęcim

    The Centrum Żydowskie (Jewish Centre) in Oświęcim with the Chewra Lomdei Misznajot Synagogue tells about the Jewish settlement since the 16th century and the relationship of the Jewish population to t...
  • At the Jewish Center in Oświęcim

    The participants of the study trip at the Center Żydowskie (Jewish Center) in Oświęcim, 2019.
  • At the Museum of the Jewish Center in Oświęcim

    Participants of the study trip at the Museum of the Jewish Center in Oświęcim, 2019.
  • In the exhibition of the former concentration camp prisoner Marian Kołodziej

    In the exhibition of the former concentration camp prisoner Marian Kołodziej in the basement vault of the Franciscan church in Oświęcim, 2019.
  • Insights into the exhibition of the works of the former camp prisoner Marian Kołodziej

    Insights into the exhibition of the works of the former camp prisoner Marian Kołodziej, Oświęcim 2019.
  • Insights into the exhibition of the works of the former camp prisoner Marian Kołodziej

    Insights into the exhibition of the works of the former camp prisoner Marian Kołodziej, Oświęcim 2019.
  • Insights into the exhibition of the works of the former camp prisoner Marian Kołodziej

    Insights into the exhibition of the works of the former camp prisoner Marian Kołodziej, Oświęcim 2019.
  • Participants of the study trip in the exhibition of the works of the former camp prisoner Marian Kołodziej

    Participants of the study trip view the drawn portraits with the distorted, gaunt facial features of the concentration camp prisoners in the exhibition of the works of Marian Kołodziej, Oświęcim 2019.
  • "Anti-Semitism is a crime against God and humanity"

    Graffiti with Pope John Paul II in Oświęcim: "Anti-Semitism is a crime against God and humanity", Oświęcim 2019.
  • City view Oświęcim

    City view Oświęcim, 2019.
  • The gate of the Auschwitz main camp with the lettering "Arbeit macht frei" (Work makes you free)

    The Auschwitz-Birkenau State Museum. Groups of visitors enter the area through the gate of the Auschwitz main camp, Oświęcim 2019.
  • Auschwitz-Birkenau Memorial and State Museum

    View of the area of the main camp Auschwitz, Oświęcim 2019.
  • Brick barracks of the Auschwitz main camp

    Brick barracks of the Auschwitz main camp, 2019.
  • One of the historical photographs that Gerhard Richter used as a template

    One of the historical photographs that Gerhard Richter used as a template for his picture cycle. Auschwitz-Birkenau Memorial and State Museum, Oświęcim 2019.
  • The historical templates for Richter's work "Birkenau"

    The historical templates for Richter's work "Birkenau" can be found in the exhibition of the Auschwitz-Birkenau State Museum, Oświęcim 2019.
  • The art collection of the Auschwitz-Birkenau Memorial and State Museum

    The art collection of the Auschwitz-Birkenau Memorial and State Museum: The exhibition includes various works of art, Oświęcim 2019.
  • The art collection of the Auschwitz-Birkenau Memorial and State Museum

    The art collection of the Auschwitz-Birkenau Memorial and State Museum: The exhibition includes various works of art, Oświęcim 2019.
  • Auschwitz II (Birkenau extermination camp)

    The area of Auschwitz II (Birkenau extermination camp), Oświęcim 2019.
  • Barracks in Auschwitz II

    Barracks with three-storey bedsteads in Auschwitz II (Birkenau extermination camp), Oświęcim 2019.
  • Carving of the imprisoned people

    Carvings or paintings of the imprisoned people can also be found in the wooden walls and bedsteads of the residential barracks in Auschwitz II, Oświęcim 2019.
  • The entrance building of the Auschwitz-Birkenau State Museum

    The entrance building of the Auschwitz-Birkenau State Museum, Oświęcim 2019.
  • View into the exhibition of the Auschwitz-Birkenau State Museum

    View into the exhibition of the Auschwitz-Birkenau State Museum, Oświęcim 2019.
  • The photographic template for Richter's picture cycle at the authentic location

    The photographic template for Richter´s picture cycle is exhibited in Auschwitz-Birkenau at the authentic location with corresponding visitor information, Oświęcim 2019.
  • Kraków

    In the Old Town of Krakow, 2019.
  • Kraków

    The participants of the study trip in the Old Town of Krakow, 2019.
  • Graffiti with Hebrew script

    Graffiti with Hebrew script in Kraków, 2019
  • Kraków

    The participants of the study trip in Kraków, 2019.
  • The participants of the study trip

    The participants of the study trip, 2019.