Year (field_media_year)
Period:

  • Ill.14: Aurora or The Morning

    From the series: ‘The Four Times of Day’, 1645. Copper engraving after an unknown model, 38.7 x 27 cm, signed: J. Falck f.
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  • Ill. 44: Robert Count Douglas

    1651, copper engraving after a painting by David Beck, 32.2 x 22.6 cm, sign. below the text: Je. Falck S.R.M. Chalcographus, below: I.F. sculp. et excu. cum priv. R.S. Stockholmiae 1651.
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  • Ill. 77: Old Lady at her Toilet Table

    1655/57. Copper engraving after a painting by Bernardo Strozzi (formerly attributed to Johann Liss), 37 x 30.4 cm.
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  • Bavarian-Polish alliance coat of arms on St George's Gate from 1494

    The coats-of-arms of Hedwig Jagiellonica and Georg the Rich of Bavaria-Landshut in the castle at Burghausen.
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  • Ill. 87z: The letter Z

    Ca. 1662. From the series Libellus novus elementorum latinorum, 18.5 x 18 cm.
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  • Ill. 17: Chodowiecki portrays the voivode Przebendowska

    1773. Collotype, from: From Berlin to Gdansk.
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  • Fig. 28: Home altarpiece of Konrad Zaunhack, 1499

    View of the interior: Saints Andrew and Bartholemew, in the centre an icon from the studio of Andreas Ritzos, Crete, 15th century, framed by relics (exterior: saints Barbara and Catherine)
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  • Ill. 49: Boleslaw II compels Polish women to carry small dogs at their breast

    1795, etching, in: Six Prints on the History of Poland, 1796.
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  • The project “z.B. Bosch. Zwangsarbeit im Hildesheimer Wald” organised by the Berlin History Workshop (Berliner Geschichtswerkstatt) was developed by Angela Martin, Ewa Czerwiakowski and the web designer Anke Schröder.

    With interviews with former forced labourers who share their memories in short videos. Access is available to as yet unpublished photos, documents and contemporary witness reports, as well as texts on...
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  • Warsaw - "Castle Square reborn from the ruins".

    Watercolour painting 1994
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  • Abb. 4 Alfred Wierusz-Kowalski

    In Kalisz, 1865–1868
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  • Ill. 27: Christ on the Mount of Olives

    Ca. 1645, copper engraving after a painting by Guido Reni, 53.9 x 38 cm, signed in the image: J. Falck fet.
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  • Ill. 58: Jerzy Sebastian Lubomirski

    1653, copper engraving after a painting by Daniel Schultz (the Younger, 1615-1683), 31.5 x 22.5 cm, sign.: I. Falck sculp.
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  • Ill. 87e: The letter E

    Ca. 1662. From the series Libellus novus elementorum latinorum, 20.5 x 15.8 cm, signed lower right: J.F. sculp.
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  • ill. 17: Adam Zegadło: The angel's judgement

    Undated, wood, painted in colour, height 79 cm, Clemens-Sels-Museum, Neuss.
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  • Logo of “COSMO”

    2017 until today
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  • Ill. 30: A woman praying in the Dominican church

    1773. Collotype, from: From Berlin to Gdansk.
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  • The winged altarpiece of Röhlinghausen

    Tabernacle doors with Annunciation scene
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  • ‘Mother with child’

    Drawing by Janina Kłopocka, in: ‘Młody Polak w Niemczech’ 1937, no. 6, p. 7.
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  • German donation inscription on the Eving Altar of Mary

    St. Barbara Church in Dortmund-Eving
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