Year (field_media_year)
Period:

  • Ill. 53: Carl Gustav Wrangel

    1655, copper engraving after a painting by David Klöcker Ehrenstrahl, 65 x 49 cm, signed: Jeremias Falck.
    Show medium Show article

  • Ill. 82: The alphabet, title page for the series Libellus novus elementorum latinorum

    Ca. 1662. With copper engravings (also of the individual letters) after a model by Johann Christian Bierpfaff, 20.8 x 16.2 cm, signed: Jeremias Falck Hamburgi.
    Show medium Show article

  • ill. 6: Bolesław Suska: Rural scenes

    From left to right: Saint with candle and wolves; Wedding; Dancer; On a walk; Peasant wedding; Rabbi in frock coat.
    Show medium Show article

  • ill.4: Sketch for the Telimena fashion house

    Drawing by Helena Bohle-Szacki, 1960s
    Show medium Show article

  • Ill. 25: The Prince-Primate

    1773. Collotype, from: From Berlin to Gdansk.
    Show medium Show article

  • St. Joseph carrying the baby Jesus

    Rear of a flag of the Brotherhood of the Holy Rosary of Women in Suderwich
    Show medium Show article

  • Ill. 57: A brawl between two Senators in which a third man is killed

    1796, etching, in: 6 prints on the history of Poland 1797.
    Show medium Show article

  • „Mein/mój/my Amsterdam” - Construction of the Noord/Zuidlijn metro at Damrak

    Watercolour painting 2005
    Show medium Show article

  • Ill. 22: The Assyrians. I. Monarchy, King Sanherib

    From the series ‘Die vier Weltgegenden’ or ‘Die vier Monarchien’,1645. Copper engraving after a design by Claude Vignon, 31.4 x 21.8 cm, signed: J. Falck Sculp.
    Show medium Show article

  • Ill. 66: Jerzy Tyszkiewicz

    1650/55. Copper engraving after an unknown painting, 32 x 22.5 cm, sign: I. Falck sculp.
    Show medium Show article

  • Ill. 87n: The letter N

    Ca. 1662. From the series Libellus novus elementorum latinorum, 20.8 x 17.7 cm, signed lower right: J.F. sculp.
    Show medium Show article

  • Ill. 6: On the suburban moat in Gdansk

    1773. Collotype, from: From Berlin to Gdansk.
    Show medium Show article

  • Fig. 28: Home altarpiece of Konrad Zaunhack, 1499

    View of the interior: Saints Andrew and Bartholemew, in the centre an icon from the studio of Andreas Ritzos, Crete, 15th century, framed by relics (exterior: saints Barbara and Catherine)
    Show medium Show article

  • Ill. 38: In the Dominican Church

    1773. Collotype, from: From Berlin to Gdansk.
    Show medium Show article

  • The project “z.B. Bosch. Zwangsarbeit im Hildesheimer Wald” organised by the Berlin History Workshop (Berliner Geschichtswerkstatt) was developed by Angela Martin, Ewa Czerwiakowski and the web designer Anke Schröder.

    With interviews with former forced labourers who share their memories in short videos. Access is available to as yet unpublished photos, documents and contemporary witness reports, as well as texts on...
    Show medium Show article

  • „Mein,/mój/my Amsterdam” - Nieuwmarkt, De Waag

    Watercolour painting, 1959
    Show medium Show article

  • Ill. 3: Anna of Austria

    1643, copper engraving. After a painting by Justus van Egmont, , 40 x 30 cm, sign: Falck fecit.
    Show medium Show article

  • Ill. 32: Title copper for the description of the ‘Porta Honoris’ by Andreas Scato

    1646, copper engraving after an unknown model, 24.8 x 15 cm, signed lower right: J. Falck fecit.
    Show medium Show article

  • Ill. 80: Queen Semiramis receives news of the uprising in Babylon

    1655/57. Copper engraving after a painting by Guercino, 29.3 x 38.9 cm.
    Show medium Show article

  • Ensign Czesław Mętrak, a portrait by Bohdan Samulski, 1940

    After escaping from captivity, Mętrak came to Poland and served as a sub-lieutenant ‘Duch’ in the Home Army. After the war, professor at the Warsaw University of Natural Sciences, engineer in the wood...
    Show medium Show article
Porta Polonica