Year (field_media_year)
Period:

  • Ill. 87s: The letter S

    Ca. 1662. From the series Libellus novus elementorum latinorum, 20.5 x 14.6 cm, signed lower right: J.F. sculp.
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  • Fig. 7: Jews leading Horses to the Market

    Ca. 1865. Oil on wood, 21 x 43.3 cm
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  • ill.21: Helena Bohle-Szacki, Still Further

    Ink on cardboard, 1995
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  • Fig. 4: The First Meeting

    1912. Reproduction of a watercolour by Wojciech Kossak in his ‘Memoirs’, 1913, between pp. 98 and 99.
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  • Agata Madejska, 18 Minutes, 2017

    Aluminium, 200 x 125 x 0,5 cm. Installation view, Jewish Historical Institute, Warsaw. In front part of Near Here, Not Here, Come Here, Over Here, Right Here, Here We Are
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  • Fig. 21: Just Watercolors (050), 2018

    Sławomir Elsner, watercolour on paper, 164 x 164 cm, courtesy of the artist
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  • Pyrexia

    2021, Paper, spray paint, graphite, oil on linen, 180 x 145 cm
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  • Fig. 20: Clearing the rubble

    In this collage, Zygmunt Świstak depicts the dangerous work of clearing rubble after air raid attacks. If you were lucky, you might find morsels of food among the ruins.
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  • Multiplied Space IX, 1981

    Artymowska, Zofia (1923 Kraków - 2000 Warsaw). Serigraphy, Collage, 60.8 x 49.7 cm (41.6 x 41.1 cm); Inv. no. 2149.
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  • Ill. 14: The Paris Opera at Night I

    1891, oil on canvas, 161 x 129,4 cm
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  • „Mein,/mój/my Amsterdam” - Picturesque sailing ships on the shores of Amsterdam Noord

    Watercolour painting, 1990
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  • Ill. 26: Artur Żmijewski - Realism

    2017. Six-channel digital video, copied from 16mm film, black and white, without sound, about 4 to 12 minutes each. New gallery
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  • Fig. 37: Encounter on the bridge

    Ca. 1886. Oil on canvas, 100 x 200 cm
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  • Photo collage and dedication by Gerd Rohling, 1988

    From the guestbook at the dental practice
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  • The site prior to the erection of the monument by Karol Broniatowski

    1989
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  • Agata Madejska, 81-86, 2010

    Lightjet c-type print on Forex and waxed MDF, 119 x 167 x 5 cm
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  • Fig. 14: Room 5. Spring Awakening (“Silent Rebels” exhibition)

    J. Malczewski: “Spring”, 1898; W. Hofman: “Spring”, 1918; “Nativity Scene”, 1918; K. Sichulski: “Spring” triptych, 1909
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  • Mensura

    Installation view – Measuring the World, CentralTrak, University of Dallas, Texas, US, 2016
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  • Ill. 2b: Untitled, top view, 1998

    Hand poured water glass lenses, cardboard rings, steel cables, hooks, W = 800 cm, L = 1900 cm, Museum Ostdeutsche Galerie, Regensburg.
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  • ill. 9/7: The Dream of Power

    In: Hitleriada furiosa, sheet 6.
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