Year (field_media_year)
Period:

  • Ill. 22: The Assyrians. I. Monarchy, King Sanherib

    From the series ‘Die vier Weltgegenden’ or ‘Die vier Monarchien’,1645. Copper engraving after a design by Claude Vignon, 31.4 x 21.8 cm, signed: J. Falck Sculp.
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  • Ill. 53: Carl Gustav Wrangel

    1655, copper engraving after a painting by David Klöcker Ehrenstrahl, 65 x 49 cm, signed: Jeremias Falck.
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  • Ill. 82: The alphabet, title page for the series Libellus novus elementorum latinorum

    Ca. 1662. With copper engravings (also of the individual letters) after a model by Johann Christian Bierpfaff, 20.8 x 16.2 cm, signed: Jeremias Falck Hamburgi.
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  • ill. 6: Bolesław Suska: Rural scenes

    From left to right: Saint with candle and wolves; Wedding; Dancer; On a walk; Peasant wedding; Rabbi in frock coat.
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  • ill.4: Sketch for the Telimena fashion house

    Drawing by Helena Bohle-Szacki, 1960s
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  • Ill. 25: The Prince-Primate

    1773. Collotype, from: From Berlin to Gdansk.
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  • St. Joseph carrying the baby Jesus

    Rear of a flag of the Brotherhood of the Holy Rosary of Women in Suderwich
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  • Ill. 57: A brawl between two Senators in which a third man is killed

    1796, etching, in: 6 prints on the history of Poland 1797.
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  • „Mein/mój/my Amsterdam” - Construction of the Noord/Zuidlijn metro at Damrak

    Watercolour painting 2005
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  • Ill. 3: Anna of Austria

    1643, copper engraving. After a painting by Justus van Egmont, , 40 x 30 cm, sign: Falck fecit.
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  • Ill. 32: Title copper for the description of the ‘Porta Honoris’ by Andreas Scato

    1646, copper engraving after an unknown model, 24.8 x 15 cm, signed lower right: J. Falck fecit.
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  • Ill. 66: Jerzy Tyszkiewicz

    1650/55. Copper engraving after an unknown painting, 32 x 22.5 cm, sign: I. Falck sculp.
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  • Ill. 87n: The letter N

    Ca. 1662. From the series Libellus novus elementorum latinorum, 20.8 x 17.7 cm, signed lower right: J.F. sculp.
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  • Ill. 6: On the suburban moat in Gdansk

    1773. Collotype, from: From Berlin to Gdansk.
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  • Fig. 28: Home altarpiece of Konrad Zaunhack, 1499

    View of the interior: Saints Andrew and Bartholemew, in the centre an icon from the studio of Andreas Ritzos, Crete, 15th century, framed by relics (exterior: saints Barbara and Catherine)
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  • Ill. 38: In the Dominican Church

    1773. Collotype, from: From Berlin to Gdansk.
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  • The project “z.B. Bosch. Zwangsarbeit im Hildesheimer Wald” organised by the Berlin History Workshop (Berliner Geschichtswerkstatt) was developed by Angela Martin, Ewa Czerwiakowski and the web designer Anke Schröder.

    With interviews with former forced labourers who share their memories in short videos. Access is available to as yet unpublished photos, documents and contemporary witness reports, as well as texts on...
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  • „Mein,/mój/my Amsterdam” - Nieuwmarkt, De Waag

    Watercolour painting, 1959
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  • Ill. 16: Diana or the evening

    From the series: ‘The Four Times of Day’, 1645. Copper engraving after an unknown work, 40 x 27.8 cm, signed: J. Falck f.
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  • Ill. 47: Hans Christoph Count of Königsmarck

    1651, copper engraving after a painting by David Beck or Matthäus Merian, 31.2 x 21.7 cm, sign. below the text: Je. Falck S.R.M. Chalcographus, below: J. Falck sculp. et excu. cum priv. R.S. Stockholm...
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