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Józef Brandt

Bolesław Szańkowski (1871/73-1953): Portrait of Józef Brandt, 1910. Oil on canvas, 162 x 112 cm, National Museum in Warsaw/Muzeum Narodowe w Warszawie, Inv. No. MP 961

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  • Art review. The Battle of Vienna 1683.

    Art review. The Battle of Vienna 1683. Oil painting by Joseph Brandt in Munich, in: Deutsche Kunst-Zeitung Die Dioskuren, Year 18, No. 10, Berlin 1873, page 78
  • Fig. 1: Józef Brandt, ca. 1875 - Unknown: Portrait of Józef Brandt, ca. 1875: Photograph on albumin paper, 9.9 x 6.2 cm, National Library Warsaw/Biblioteka Narodowa w Warszawie, Inv. No. F646
  • Fig. 2: Józef Brandt in his studio, 1875/76 - Władysław Szerner (1836-1915): Jósef Brandt in his studio, 1875/76. Wood engraving by Jan Styfi (1841-1921), in: Kłosy, 1876, volume XXII, No. 574, page 405
  • Fig. 3: The studio of Józef Brandt, 1875/76 - Władysław Szerner (1836-1915): The studio of Józef Brandt in Munich, 1875/76. Wood engraving by Paweł Boczkowski (1860-1905), in: Tygodnik Illustrowany, 1876, volume II, No. 52, page 416 f. (excerpt)
  • Fig. 4: The studio of Josef v. Brandt, 1889 - Carl Teufel (1845-1912): The studio of J. v. Brandt, in: Carl Teufel: Ateliers Münchner Künstler, volume 1, Munich 1889, uncounted plate 9
  • Fig. 5: The studio of Josef v. Brandt, 1889 - Carl Teufel (1845-1912): The studio of Josef von Brandt, 1889. Photograph, Glass negative, 18 x 24 cm, Bildarchiv Foto Marburg, Aufnahme-No.: 121.569, Konvolut: Dr. Benno Filser Verlag
  • Fig. 6: The March of the Lisowskis, 1863 - The March of the Lisowskis, 1863. Oil on canvas, 44.5 x 69 cm, in auction trading (Agra Art, 2000)
  • Fig. 7: Jews leading Horses, 1865 - Jews leading Horses to the Market, ca.1865. Oil on wood, 21 x 43.3 cm, National Museum Warsaw/Muzeum Narodowe w Warszawie, Inv. No. MP 5548
  • Fig. 8: Polish Peasants' Horse and Cart, 1865 - Polish Peasants' Horse and Cart, 1865. Oil on canvas, 31 x 44 cm. The art possessions of the city of Munich
  • Fig. 9: The Battle of Chocim, 1867 - The Battle of Chocim (1621), 1867. Oil on canvas, 190 x 337 cm, National Museum Warsaw/Muzeum Narodowe w Warszawie, Inv. No. MP 5056
  • Fig. 10: Grazing Horses, 1869 - Grazing Horses, 1869. Oil on canvas, 23,2 x 42,6 cm, Museum Biberach, Braith-Mali-Museum, Biberach an der Riß, Inv. No. 11265
  • Fig. 11: Return from Vienna, 1869 - Return from Vienna – Baggage Train, 1869. Oil on canvas, 43,5 x 79,5 cm, Kunstmuseum Łódź/Muzeum Sztuki w Łodzi, Inv. No. MS/SP/M/206
  • Fig. 12: A Break, circa 1870 - A Break in a Small Town, circa 1870. Oil on canvas, 71,5 x 107 cm, Private ownership  (from the auction trade)
  • Fig. 13: At the Tavern, undated - At the Tavern. A Polish Village with Ulans, undated. Oil on wood, 13.5 x 18.4 cm, Museum Biberach, Braith-Mali-Museum, Biberach an der Riß,  Inv. No. 1989/11264
  • Fig. 14: Czarniecki near Kolding, 1870 - Czarniecki in the Battle of Kolding (1658), 1870. Oil on canvas, 95 x 206 cm, National Museum Warsaw/Muzeum Narodowe w Warszawie, Inv. No. MP 410
  • Fig. 15: Waiting for the Boat, 1871 - Waiting for the Boat, 1871. Oil on canvas, 67,5 x 127 cm, privately owned (from auction trading)
  • Fig. 16: Cossacks at the Camp Fire, 1873 - Cossacks at the Camp Fire, 1873. Oil on canvas, 43 x 82 cm, privately owned
  • Fig. 17: The Battle of Vienna, 1873 - The Battle of Vienna, 1873. Oil on canvas, 136 x 318 cm, Museum of the Polish Army, Warsaw/Muzeum Wojska Polskiego w Warszawie, Inv. No. MWP 655
  • Fig. 18: Booty at the River, 1874 - Booty at the River, 1874. Oil on canvas, 69 x 160 cm, Staatliche Kunstsammlungen Dresden, Galerie Neue Meister, Inv. No. G 2401
  • Fig. 19: On the Steppe, 1874 - Welcome to the Steppe, 1874. Oil on canvas, 87.5 x 170 cm, privately owned
  • Fig. 20: A Break in the Steppe, undated - A Break in the Steppe, undated. Oil on canvas, 30.5 x 38 cm, Polenmuseum Rapperswil, Inv. No. 119
  • Fig. 21: Cossacks, 1874 - Cossacks, 1874. Oil on canvas, 33.4 x 46.6 cm, Städtische Galerie im Lenbachhaus und Kunstbau Munich
  • Fig. 22: Horse Breeding, 1876 - Horse Breeding in the Steppe, 1876. Oil on canvas, 61.5 x 112.5 cm, Polenmuseum Rapperswil, Inv. No. Dep. 89
  • Fig. 23: Polish Horseman, 1877 - Polish Horseman with his Horse in front of the Toll House, 1877. Water colour and opaque colouring on paper, 24.5 x 32.5 cm, Staatliche Museen zu Berlin, Kupferstichkabinett, Inv. No. SZ Jv.Brandt 2
  • Fig. 24: Cossack Guard, 1878 - Cossack Guard, 1878. Oil on canvas, 25.2 x 33 cm, Museum Biberach, Braith-Mali-Museum, Biberach an der Riß, Inv. No. 1989/11266
  • Fig. 25: The Liberation of Prisoners, 1878 - The Liberation of Prisoners [from the hands of Tatars], 1878. Oil on canvas, 179 x 445 cm, National Museum Warsaw/Muzeum Narodowe w Warszawie
  • Fig. 26: Alarm, circa 1880 - 1880 Alarm, circa 1880. Oil on canvas, 97.5 x 150 cm, National Museum Warsaw/Muzeum Narodowe w Warszawie, Inv. No. MP 971
  • Fig. 27: Militia at the Ford, circa 1880 - Militia at the Ford, circa 1880. Oil on canvas, 74 x 119.5 cm, privately owned (from auction trading)
  • Fig. 28: Catching a Horse, circa 1880 - Catching a Horse, circa 1880. Oil on canvas, 83.5 x 73.5 cm. Nationale Kunstgalerie, Lviv
  • Fig. 29: Zaporozhian Camp, circa 1880 - Zaporozhian Camp or The Camp of the Tatars, circa 1880. Oil on canvas, 72,5 x 113 cm, National Museum Warsaw/Muzeum Narodowe w Warszawie, Inv. No. MP 670
  • Fig. 30: Zaporozhian Cossack, undated - Zaporozhian Cossack, undated. Oil on canvas, mounted on cardboard, 74.9 x 123.1 cm, for auction (Sotheby’s)
  • Fig. 31: March with War Booty, circa 1880 - March with War Booty. Return from Vienna, circa 1880, Oil on canvas, 72 x 112 cm, privately owned
  • Fig. 32: Cavalry Parade, circa 1880 - Polish Cavalry Parade (Hussars), circa 1880. Oil on canvas, 86.5 x 62.8 cm, Polenmuseum Rapperswil, Inv. No. MPR 116
  • Fig. 33: Sketch of Cossacks, circa 1880 - Sketch of Cossacks, circa 1880. Oil on canvas, 61,5 x 48,5 cm, National Museum Warsaw/Muzeum Narodowe w Warszawie, Inv. No. MP 1925
  • Fig. 34: A Cossack waiting for the Boat, 1881 - A Cossack waiting for the Boat, 1881 or earlier. Oil on canvas, 26 x 37,5 cm, privately owned (from auction trading)
  • Fig. 35: Setting out for the Hunt, 1883 - Setting out for the Hunt, 1883. Oil on canvas, 69 x 194,5 cm, Museum of Fine Arts, Leipzig, Inv. No. G 537
  • Fig. 36: Market in Białka, circa 1885 - Market in Białka, circa 1885. Oil on canvas, 62 x 101 cm, Private collection
  • Fig. 37: Confrontation on the Bridge, ca. 1886 - Confrontation on the Bridge, ca. 1886. Oil on canvas, 100 x 200 cm, National Museum Krakow, Inv. No. MNK II-a-147
  • Fig. 38: Polish Farming Cart, undated - Polish Farming Cart on a Country Road, undated. Water colour and opaque colouring on paper, 20.3 x 41.6 cm, Staatliche Museen zu Berlin, Kupferstichkabinett, Inv. No. SZ G. Brandt 3
  • Fig. 39: Preparing for the Hunt, 1886 - Preparing for the Hunt, 1886. Oil on canvas, 88 x 165 cm, privately owned
  • Fig. 40: Painter's Palette, 1887 - Palette of Polish Artists in Munich, 1887. By Józef Brandt bottom right: Cossack resting with his Horse, in: Die Kunst für alle. Malerei, Plastik, Graphik, Architektur, vol. 3, Munich 1887/88, after page 60
  • Fig. 41: Ensign, 1889 - Royal Ensign, 1889. Oil on canvas, 83 x 63 cm, privately owned (from auction trading)
  • Fig. 42: In Flight, ca. 1890 - In Flight, ca. 1890. Oil on canvas, 61 x 100.5 cm, for auction (Agra Art, 2012)
  • Fig. 43: Confrontation on the Dyke, ca. 1890 - Confrontation on the Dyke, ca. 1890. Oil on canvas, 70 x 110 cm, for auction (Agra Art, 2012)
  • Fig. 44: Our Dear Lady, ca. 1890 - Our Dear Lady of Poczajów (Praying in the Steppe; the Armenian Mother of God), ca. 1890. Oil on canvas, 151 x 303 cm, National Museum Warsaw/Muzeum Narodowe w Warszawie, Inv. No. MP 970
  • Fig. 45: Sketch for Our Dear Lady, 1890 - Sketch for Our Dear Lady of Poczajów, circa 1890. Oil on canvas, 65 x 120 cm, National Museum Warsaw/Muzeum Narodowe w Warszawie, Inv. No. MP 411
  • Fig. 46: Cossack Wedding, 1893 - Cossack Wedding, 1893. Oil on canvas, 243 x 156.5 cm, Upper Silesian Museum, Bytom/Muzeum Górnośląskie w Bytomiu, Inv. No. MGB/Sz 916
  • Fig. 47: Victorious Cossacks, 1893 - Victorious Cossacks (Victorious Return), 1893. Oil on canvas, 155.5 x 98.4 cm, for auction (Sotheby’s, 2008)
  • Fig. 48: The Capture, undated - The Capture of a Caucasian Leader, undated. Oil on canvas, 70 x 110.5 cm, for auction (Sotheby’s)
  • Fig. 49: After the Victory, 1893 - After the Victory, 1893. Oil on canvas, 60.5 x 121.5 cm, for auction (Agra Art, 2016)
  • Fig. 50: The Departure from Wilanów, 1897 - The Departure of Johann III. and Marysieńka Sobieska from Wilanów, 1897. Oil on canvas, 186 x 343 cm, National Museum Warsaw/Muzeum Narodowe w Warszawie, Inv. No. MP 4374
  • Fig. 51: Queen Marysieńka, ca. 1897 - Queen Marysieńka leaving Wilanów, circa 1897. Oil on canvas, 200 x 400 cm, National Museum Kielce/Muzeum Narodowe w Kielcach, Inv. No. MNKi/M/374
  • Fig. 52: Preparatory study for Queen Marysieńka, 1897 - Preparatory study for the departure of Queen Marysieńka from Wilanów, circa 1897. Oil on wood, 34 x 65.6 cm, Städtische Galerie im Lenbachhaus und Kunstbau Munich, Inv. No. G10546
  • Fig. 53: Attack, ca. 1898 - Cavalry Attack. Polish Hussars on the Attack, circa 1898. Oil on canvas, 54.7 x 99.5 cm, for auction (Agra Art, 2017)
  • Fig. 54: In the Yard, ca. 1900 - In the Yard, ca. 1900. Oil on canvas, 80 x 120,5 cm, National Museum Warsaw/Muzeum Narodowe w Warszawie, Inv. No. MP 4880
  • Fig. 55: Horse and Cart trying to escape, ca. 1900 - Horse and Cart trying to escape, ca. 1900. Oil on canvas, 60,5 x 100,5 cm, for auction (Agra Art, 2008)
  • Fig. 56: The Hunt, ca. 1900 - The Hunt, ca. 1900, Oil on canvas, 101 x 62 cm, Polenmuseum Rapperswil, Inv. No. MPR 117
  • Fig. 57: Cossack Horseman, ca. 1900 - Cossack Horseman, circa 1900. Water colour with opaque colours on paper, 27 x 39.3 cm, National Museum Warsaw/Muzeum Narodowe w Warszawie, Inv. No. Rys.Pol.11661
  • Fig. 58: Cossack guard, undated - Cossack Guard, undated. Oil on canvas, 26 x 37,5 cm, on auction (Sotheby’s, 2012)
  • Fig. 59: Testing a Horse, ca. 1900 - Testing a Horse, ca. 1900. Oil on canvas, 57,5 x 38 cm, privately owned (from auction trading)
  • Fig. 60: Tatar riding through a River, undated - Tatar riding through a River, undated. Quill, washed, 23.4 x 29 cm, Staatliche Museen zu Berlin, Kupferstichkabinett, Inv. No. SZ Jv.Brandt 1
  • Fig. 61: Czarniecki on Horseback, ca. 1900 - Stefan Czarniecki on Horseback, circa 1900. Oil on canvas, 55 x 45 cm, for auction (Agra Art, 2013)
  • Fig. 62: Forage Gatherer, ca. 1905 - Forage Gatherer, ca. 1905. Oil on canvas, 92 x 66 cm, on auction (Agra Art, 2014)
  • Fig. 63: Trumpeter, ca. 1905 - Trumpeter, circa 1905. Oil on canvas, 45.5 x 60.5 cm, on auction (Agra Art; Lichfield County Auctions, 2014)
  • Fig. 64: Józef Brandt, ca. 1905 - Jadwiga Golcz (1866-1936): Portrait of the painter Józef Brandt, circa 1905. Photograph from a glass negative, 14.3 x 10.4 cm, National Museum Warsaw/Muzeum Narodowe w Warszawie, Inv. No. DI 91193/1
Bolesław Szańkowski (1871/73-1953): Portrait of Józef Brandt, 1910.
Bolesław Szańkowski (1871/73-1953): Portrait of Józef Brandt, 1910. Oil on canvas, 162 x 112 cm, National Museum in Warsaw/Muzeum Narodowe w Warszawie, Inv. No. MP 961

In 1867 he painted his first wall-sized battle painting,"The Battle of Chocim" (fig. 9), which also shows a scene from the Polish-Ottoman War, namely the defence of the Polish fortress against the Turks with the support of the Cossack army in September 1621. At the centre of the scene is the Lithuanian commander Jan Karol Chodkiewicz (1560-1621), who, from his white horse, gives the signal for the attack with a raised staff. The coloured costumes of the cavalry soldiers are once more important motifs in the middle of the detailed depiction of the steppe, the turmoil of battle and the gun smoke.The monumental painting was shown at the Paris World Exhibition in the year it was created and moved Friedrich Pecht to compare it with Theodor Horschelt's paintings of a battle in Caucasia: "Brandt's beautiful painterly talent, (he was a pupil of Adam's), was not so completely successful in portraying the physical aspects of the battle of Choczin. On the other hand, there is a rich and captivating imagination in the composition which equally shows his talent for colour".[32]

In1867 Brandt wrote a letter to Helbich describing his first own painting studio at 23 Schillerstraße in Ludwigsvorstadt, which would become one of the most beautiful in Munich.[32] However, in reality the address was that of Adam's studio, where Brandt apparently rented a room. Kossak, who studied with Adam for another year in Munich in 1868/69, described the situation there in a letter to the Warsaw painter Marcin Olszyński (1829-1904). In the first of the three interconnected studios Adam would teach his students, including Aleksander Gierymski (1850-1901), Kossak himself worked in the second with Aleksander's brother, Maksymilian Gierymski (1646-1874), with Brandt in the third.[33] In 1870 Brandt moved to an apartment in the nearby Landwehrstraße, where he used one room as his studio.[34] In 1871 he registered his address in the next street at 13 Schillerstrasse.[35] This was not far from Schwanthalerstrasse, where he moved into a splendid studio three or four years later: this was to be his final studio. In 1869 he exhibited two paintings at the I. International Art Exhibition in the Royal Glass Palace in Munich.[36] There he was awarded a gold medal for the paintings "A Fair in a Small Town in the region of Krakow" and "Episode from the Thirty Years' War: General-in-Chief Strojnowski presents Archduke Leopold I. with the horses of the Palatine Count on the Rhine, captured by the Polish volunteer forces”.[37] In this exhibition Adam exhibited, among other, a "Retreat from Moscow in 1812" and the painting "During the Battle of Solferino 1859".

 

[31] Friedrich Pecht: Kunst und Kunstindustrie auf der Weltausstellung von 1867. Pariser Briefe, Leipzig 1867, page 132, Digital version: Heidelberger historische Bestände, http://digi.ub.uni-heidelberg.de/diglit/pecht1867/0143?sid=370ce68bd05bb80088aa5dc7b9302c97 (called up on 17.11.2017)

[32] Eliza Ptaszyńska: Dunkle Wälder, nackte Ebenen und Schnee, in: Jednodniówka – Eintagszeitung. Neuausgabe 2008 (see further reading), page XI

[33] Halina Stepień: Franz Adam und sein Schülerkreis in Polen, in: Albrecht Adam und seine Familie, exhibition catalogue Münchner Stadtmuseum 1981/82, page 37 f.

[34] Ptaszyńska 2008 (see note 32), page XI

[35] Adressbuch von München für das Jahr 1871, page 129, Bayerische Staatsbibliothek, Digital version: http://opacplus.bsb-muenchen.de/title/4273829/ft/bsb11038697?page=5  (called up on 17.11.2017)

[36] Catalogue of the I. International Art Exhibition in the Royal Glass Palace in Munich, München 1869, page 32 f.; Digital version: http://daten.digitale-sammlungen.de/0000/bsb00001760/images/index.html?fip=193.174.98.30&id=00001760&seite=1  (called up on 17.11.2017)

[37] “He was awarded the Gold Medal at the Munich International Exhibition in 1869.” Max Jordan: Catalogue of the Royal National Gallery in Berlin, part one, Berlin 1883, page 24, Digital version: https://archive.org/stream/katalogderknigl02jordgoog#page/n351/mode/2up/search/Brandt (called up on 20.11.2017)