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Janina Szarek and the Teatr Studio am Salzufer – Tadeusz Różewicz Bühne Berlin

Janina Szarek

Mediathek Sorted

Media library
  • Janina Szarek (left) in the role of Izabela Łęcka in the stage play ‘Pan Wokulski’ - Ca. 2018. Right Asja Łamtiugina. Teatr Współczesny in Wrocław.
  • Janina Szarek in the role of Lidka - Film based on the play ‘Kretschinski's Wedding’ [Małżeństwie Kreczyńskiego]. Director: Juliusz Burski, 1976
  • Janina Szarek in the role of Lidka - Scene from the film ‘Kretschinskis Hochzeit’ (Kretschinski's Wedding), 1976
  • Janina Szarek in the role of Lavinia in ‘Androcles and the Lion’ - 1977. Director: Henryk Tomaszewski. Theatr Cyprian K. Norwid, Jelenia Góra
  • Janina Szarek during a panel discussion in Wrocław - Following the one-woman play ‘Czerwcami gorące’ [Hot June Days], based on the literary work by Bolesław Leśmian, 1973
  • Janina Szarek - 1970s
  • Janina Szarek in Wrocław - 1970s
  • Janina Szarek in the play ‘Androcles and the Lion’ - In a scene with Bogdan Słomiński, Cyprian K. Norwid Theatre in Jelenia Góra, 1977
  • Janina Szarek in Greece - Private, during a stay, 1978
  • Janina Szarek in the play ‘The Fool and the Nun’ [Wariat i zakonnica] - Directed by Krystian Lupa, Teatr Telewizji Wrocław, 1978
  • Janina Szarek in the early 1980s - Photographer: Ruth Westerwelle
  • Janina Szarek - Private, 1983
  • Janina Szarek - 1980s
  • Janina Szarek - 1990s
  • Janina Szarek - 1990s
  • Janina Szarek during the period at the Werkstatttheater in Kraków - Together with Krystian Lupa, 1996
  • Janina Szarek and Tadeusz Różewicz - undated
  • Janina Szarek at the Academy PWST - Kraków, 1970s
  • Janina Szarek in Berlin - 1982
  • Janina Szarek in her apartment - Berlin-Neukölln, 1980s
  • Janina Szarek during her engagement with ‘Studio – Gruppe 44’ - undated
  • Janina Szarek during her engagement with ‘Studio – Gruppe 44’ - Early 1980s
  • Janina Szarek with the poet Bolesław Taborski  - After the premiere of the play ‘Dobranoc bezsensie’ [Good Night, Meaninglessness], London, early 1990s
  • Janina Szarek and Olav Münzberg - Ca. 2015
  • Janina Szarek and Olav Münzberg - After the premiere of ‘Białe małżenstwo’ [White Wedding], 2005
  • Janina Szarek - undated
  • Janina Szarek working with drama students - At the TRANSform Drama School in Berlin, undated
  • Janina Szarek in the role of the old woman in the play ‘Eine alte Frau brütet’ (An Old Woman Broods) - By T. Różewicz. Directed by Janina Szarek, Teatr Studio am Salzufer, Berlin, 2007
  • Janina Szarek, winter portrait - Ca. 2018
  • Film ‘The Madman and the Nun’ - St. Ignacy Witkiewicz, Transform Film Studio - Directed by Janina Szarek, 2005

    Film ‘The Madman and the Nun’ - St. Ignacy Witkiewicz, Transform Film Studio

    Directed by Janina Szarek, 2005
  • Anniversary video: ‘16 years of TRANSform Acting School and 14 years of Teatr Studio am Salzufer’ - Recording of the 2018 event, 00:01:53

    Anniversary video: ‘16 years of TRANSform Acting School and 14 years of Teatr Studio am Salzufer’

    Recording of the 2018 event, 00:01:53
Janina Szarek
Janina Szarek

Leaving for Berlin
 

In June 1981, Janina Szarek travelled to West Berlin without actually wanting to stay there forever. But the city enticed her with its openness and modernity. The cultural life was so completely different to that in Communist Poland. Barely a month after her arrival, Szarek was given an official permit to stay for two years. She started to look for work in the theatre although her German was still not really good enough. In September 1981, she began working as a drama teacher with the Transformtheater that had only just been established by the director Henryk Baranowski. On 13 December 1981, a state of war was declared in Poland. Janina Szarek, for whom Berlin was only supposed to be a stopover, decided to stay in the city and involuntarily became an emigrant.

In the two years that followed, Janina Szarek devoted herself to her teaching role and she learnt German. She realised that in Berlin, in contrast to Poland, it is possible for a drama student to prepare for professional exams by taking private teaching units and courses. This realisation caused her to leave the Transformtheater in the winter of 1983 and, together with some students, create an association and a theatre ensemble called Studio – Gruppe 44. In this new framework, she shared her knowledge and her experience with young people who dreamt of being on the stage. Her students (the studio existed until 1992) sat admission exams before a state board to become actors or directors. Many of them have since had successful careers in the theatre.

However, despite her acknowledged abilities as an artist and as a teacher, the actress did not have the same rights in Berlin as her German colleagues from the profession. Each new commitment required various formalities for her to obtain a work permit. This situation only changed when, with the help of the Berlin Senate, her residence permit was extended by a clause which allowed her to work as an independent actress, director, teacher and theatre director. Moreover, the passage in the document which prevented foreigners from settling in the Kreuzberg artist quarter was deleted from her passport. Janina Szarek made use of this privilege straight away and moved to where the heart of the Berlin Avant-garde was beating.

In 1983, Janina Szarek took over the management of the drama department at DIE ETAGE, the School for the Performing Arts and Visual Arts in Berlin. The next year she was again given a television role in the ZDF film “Er fällt in voller Montur”, in which Szarek played the lead role of the Pole Vera Gorbacz. Gradually, despite her Polish accent which was still discernible, she also managed to overcome her fear and her own internal obstacles that prevented her from performing in German.